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Welcome bannerHello and welcome to EHT Comics! Thank’s for taking the time to stop by our site. All of the items posted on our site are scans or photos of the actual items we have for sale. Just click on an item to view a larger and more detailed image. E-mail us anytime at EHTcomics@gmail.com in regards to items that you are interested in and a Paypal Invoice will be provided via email. Shipping information is provided under “About Us” on the right. We are always adding new comics, so stop back often and if you don’t see it, feel free to ask.

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Dark Nights: Death Metal (2020)

“Dark Nights: Death Metal” is the sequel to 2017’s Dark Nights: Metal and concludes Scott Snyder‘s run in DC Comics; he stated “Everything is coming back, we want to pay it forward. The Omega Titans, Barbatos, the Forge, it’s all coming back. Everything you read, our goal is to reward. All of it culminates in like a year in like a “Metal” event.”[1] “Death Metal” not only concludes the three-year spanning Dark Multiverse narrative that began with “Dark Nights: Metal”, but will bring an end to the New 52 and DC Rebirth continuities that began with 2011’s “Flashpoint” storyline.

In April 2020 during an interview on DC Daily, Snyder assured that the purpose of “Death Metal” is to unify every storyline from mainline DC Universe comic books, including the standalone stories

Iron Man V2 – Heroes Reborn (1996)

Iron Man left two lives behind when he vanished, but can he avoid his former mistakes in his new one? The armored Avenger takes on Hydra, Heralds and the Hulk – and the eyes of the Marvel Universe are upon him in the form of Loki, the Watcher and Onslaught himself! Featuring Doc Samson and… or rather as …the Abomination! Plus: Rebel O’Reilly, later of Thunderbolts fame!

Godzilla – Dark HOrse (1989)

In 1987, Dark Horse Comics acquired the rights to Godzilla and for the next 12 years published various comic books and trade paperbacks based on the character. These ran the gamut from back-up stories in anthology titles, to one-shots, to miniseries, to an ongoing series, as well as various reprints in the trade paperback format.

In 1992, an illustration of Godzilla (provided by Arthur Adams) was published in San Diego Comic Con Comics #1. Also that same year the one-shot issue Godzilla Color Special #1 was published. It would be reprinted as simply Dark Horse Classics: Godzilla #1 in 1998.

Justice League (1987)

The 1986 company-wide crossover “Legends” concluded with the formation of a new Justice League. The new team was dubbed “Justice League” then “Justice League International” (JLI) and was given a mandate with less of an American focus. The new series, written by Keith Giffen and J. M. DeMatteis with art by Kevin Maguire (and later Adam Hughes), added quirky humor to the team’s stories. In this incarnation, the membership consisted partly of heroes from Earths that, prior to their merging in the Crisis on Infinite Earths, were separate. The Giffen/DeMatteis team worked on Justice League for five years and closed out their run with the “Breakdowns” storyline in 1991 and 1992. The series’ humorous tone and high level of characterization proved very popular.

Venom V4 (2018)

In the wake of S.H.I.E.L.D.’s collapse, an ancient and primordial evil has been awakened beneath the streets of New York. And with it, something equally evil has been awakened in that most wicked of web-slingers: Venom! The symbiote may still be a Lethal Protector of innocents in New York, but this never-before-seen threat could possibly force Venom to relinquish everything it holds dear – including its human host, Eddie Brock!

The Spirit (1974)

From 1974 to 1976, James Warren‘s Warren Publishing published 16 issues of The Spirit (also known as The Spirit Magazine), a large black-and-white magazine consisting of reprints with original covers (primarily by Eisner), concluding with a separate 1975 color issue, The Spirit Special, which includes an afterword by Bill DuBay. Kitchen Sink picked up the series beginning in 1977 with issue 17, eventually concluding with issue 41 (June 1983). Issue 30 of the Kitchen Sink series (July 1981) features “The Spirit Jam“, with a script from Eisner and a few penciled pages, plus contributions from 50 artists, including Fred HembeckTrina RobbinsSteve LeialohaFrank MillerHarvey KurtzmanHoward CruseBrian BollandBill SienkiewiczJohn Byrne, and Richard Corben.

Batman V3 (2020’s)

DC Comics ended the DC Rebirth branding in December 2017, opting to include everything under a larger DC Universe banner and naming. The continuity established by DC Rebirth continues across DC’s comic book titles, including volume 1 of Detective Comics and volume 3 of Batman.

After the conclusion of Batman (vol. 3) #85 a new creative team consisting of James Tynion IV with art by Tony S. Daniel and Danny Miki replaced Tom King, David Finch and Mikel Janín.

James Tynion IV & Jorge Jimenez continued the series in 2021.

Iron Man V7 (2020)

Tony Stark is looking to restart his engine. He decides he’s going back to basics, putting away his high-tech toys and high-profile image so he can get his hands dirty again. It’s time to dig into the guts of real machines, put on some old-fashioned metal and fly.

But can he really lay that Stark-sized ego down? Life isn’t that simple, something that old friends and frustrating foes are quick to point out. If you strip down a billionaire to his bolts, does he run solid or just overheat?

Tony’s going to find out once a threat to the entire universe rears its head from the past. As he suits up again, Tony remains sure of one thing: he’s still IRON MAN down to his flesh and blood core.

Voodoo (1997)

When former WildCATs member Voodoo decides to return to her roots, she reaches a crossroads in New Orleans. The nice gentleman who offers to get her a job as an exotic dancer isn’t quite what he seems…but then again, neither is Priscilla.

 

The Brave and the Bold V1 (1970’s)

The title was the first to feature Neal Adams‘ version of Batman, generating fan interest that led to Adams’ style defining the modern Batman image to this day. In addition, Adams updated Green Arrow‘s visual appearance by designing a new costume for the character in issue #85 (Aug.–Sept 1969). The primary artist for the second half of the run was Jim Aparo, starting with #98 (October–November 1971). Haney frequently disregarded continuity by scripting stories which contradicted DC’s canon or by writing major heroes in an out-of-character fashion. Issue #100 (Feb.–March 1972) featured Batman and “4 Famous Co-Stars” (Green Lantern, Green Arrow, Black Canary, and Robin) in a story by Haney and Aparo. Issues #112 (April–May 1974) to #117 (Feb.–March 1975) of the series were in the 100 Page Super Spectacular format.